Meet Pete Coco: Headshots for Pros and Creatives

How this New York photographer creates authentic professional portraits that help clients land dream jobs and build their brands.

New York photographer Pete Coco creative self-portrait with oversized round tortoise-shell eyeglasses, grey beard stubble, all black outfit peeking around textured tan beige wall with dramatic shadow lighting, interview subject specializing in headshots portraits and music photography

Introduction

Pete Coco made the leap from musician to full-time photographer in 2020, and he hasn’t looked back. Based in New York, Pete specializes in headshots and portraiture for business professionals, actors, artists, musicians, and creatives. His philosophy centers on genuine collaboration - getting to know clients and creating images that authentically represent who they are. Pete’s approach proves that great headshots start with great conversations.

Professional portrait by Pete Coco Photography of Black male in navy blue pinstripe suit with red dress shirt, red pocket square, black fedora hat, full grey beard, sitting on dark wood counter in dressing room with large mirror surrounded by vanity lights, polished dress shoes, natural wood floor, New York portrait photography example

About Pete Coco: From Musician to Professional Photographer

Can you briefly introduce yourself, where you are located, and the type of work you specialize in?

My name is Pete Coco, I’m a photographer specializing in portraiture based in New York, with a studio on Long Island and in Brooklyn. I work with business professionals, actors, artists, and musicians to create authentic portraiture that helps tell their unique stories.

What led you into this creative field, and what keeps you passionate about it?

I have always been passionate about making art. Early on, I was drawing, painting, playing music, acting… anything that had to do with creating. And, that led me ultimately to go to school for music (photography was still a passion too), and study jazz and classical music. Fast forward to today, and I have the joy and privilege of creating imagery for some of my heroes in the jazz world, so I have seen both my passions (music and photography) come together in a fulfilling way.

It’s easy to stay passionate about what I do, because it doesn’t feel like work for me. For instance, I was hired to photograph an iconic trio at Smoke Jazz Club in New York the other day. I arrived around 3:30 to survey the club and surrounding area, took portraits from 4-6pm, and then documented 2 sets of music, from 7-11pm. Not once did I feel like I was “working.” The key to being passionate about your work is working in a field you’re passionate about.

Professional portrait by Pete Coco Photography featuring female with shoulder-length dark brown hair, bare shoulders in navy sleeveless top, hand touching shoulder, photographed against dark teal blue textured background with dramatic Rembrandt lighting, New York portrait photography example

The Pete Coco Approach to Professional Photography

From your perspective, what makes a great headshot truly effective?

Connection. It’s all about connecting with the person in front of your camera. If you are able to connect with them, they will give back genuine expressions that tell their story. Lighting, composition, camera settings… we can argue forever about what works best. But you can’t argue with authenticity, and that is what I strive for in my images and life.

As a photographer, how do you help clients feel more comfortable in front of the camera?

I think it’s important to meet them where they are. Most people absolutely hate getting a headshot, and many only do it because they are forced to. So, our job as photographers is to help them see their true selves, and create an image that they love. It takes patience and empathy to do this, but it’s rewarding to see someone look at their own image and love it, especially when it might be the first time in their life they have done so. I also run my portrait sessions by the Golden Rule: treat others like you want to be treated.

How does your approach to capturing people differ between photography and videography, or between genres?

I think the genre thing is way overestimated by photographers. I use the same lighting and sets for all my clients, whether corporate, actors, musicians, etc. At the end of the day, my clients want images that are unique, stand out, and show them looking like a boss. I tweak the style for different types of clients, of course, and also have a consultation with them prior to the session, but there is a lot of overlap in style. In videography, the lines are more delineated when working with corporate clients, but it depends on the specific brand or individual you are working with.

Professional portrait by Pete Coco Photography of male with short dark brown hair, trimmed beard, wearing navy blue collared polo shirt, arms crossed, photographed against layered canvas backgrounds, New York portrait photography example

Professional Photography in Today’s Market

What’s your opinion on the importance of professional visuals in today’s digital-first world?

Well, as a photographer, of course I’m going to say it’s paramount for any brand. At this point, most people have a headshot, so the goal for me is to create images that stand out from a sea of faces. This is why I continue to explore with lighting, set design, and composition.

Yes. People are moving away from the “LinkedIn” headshot style. My clients want images that tell their story in a deeper way, with a bit of dramatic flair.

In your experience, how do different professions approach headshots differently?

Some professions absolutely need headshots, like actors, for instance. But beyond that, I don’t think it’s a “profession” thing, but rather a “value” thing. I work with a wide array of clients - insurance companies, finance, jazz musicians, authors, tech bros, you name it. The ones who choose to work with me see great value in what I do, regardless of their industry. For us as photographers, the key is to connect with these specific people and companies, as they are our ideal clients.

Professional portrait by Pete Coco Photography featuring female with long straight dark brown hair, visible tattoo on left forearm, wearing olive green military-style jacket over black v-neck top, hand raised to hair, photographed against dark olive green textured background with dramatic lighting, New York portrait photography example

Working with Clients: Preparation and Process

For clients who don’t feel “photogenic,” what advice do you typically give?

First, I empathize with them. I’ve had people enter my studio, and the fear in their eyes is real! In that case, I don’t rush them. We chat, I offer them coffee or a bottle of water, and let them get to know me a bit to take the edge off. Then, I remind them that my process, which includes viewing the photos on a large monitor in real time, helps to make it so much easier to get great photos. A lot of times they are worried about something that’s easy to retouch as well, like a scar, or blemishes, or wrinkles. I remind them that we can fix those things while still making a photo that doesn’t look like it was created with an Instagram filter (i.e. plastic skin).

What kind of preparation and considerations do you recommend for someone getting ready for a professional shoot?

Hair and makeup for the ladies is an absolute must, so I recommend that they always use my makeup artist. Bring more clothing than you think you need is the second most important ingredient. Often it’s the outfit my client didn’t think would look good that is their favorite. Don’t go on a bender the weekend before your headshot is also recommended (you’d be shocked how many times this happens).

What’s a common misconception people have about what a headshot session is really like?

They think they will hate it, and dread the process. However, my clients leave with smiles, and often tell me they regret putting it off since it was a fun and empowering time.

Professional portrait by Pete Coco Photography of male with styled dark brown hair swept back, trimmed brown mustache, wearing white linen button-down shirt with silver chain necklace, photographed against warm brown olive gradient background with dramatic Rembrandt lighting, New York portrait photography example

Behind the Scenes: Professional Photography Insights

What kind of lighting, composition, or direction tricks do you think most clients would be surprised to learn about?

They never believe you when you tell them to jam your neck forward and point your chin down… until they see the results. The “turtle neck” move is bar-none the one they always are shocked by.

What do you wish more clients understood about the process behind professional photography?

The photographer makes all the difference, and they are not all created equal. Do some research before booking a photographer, including getting on the phone with them. Even if they create good work, they may not be the right personality fit for you, which makes or breaks the final images.

Professional musician portrait by Pete Coco Photography featuring male jazz saxophonist with short dark brown hair, trimmed beard, wearing navy blue speckled long-sleeve button-down shirt, holding brass tenor saxophone at shoulder, photographed against dramatic dark teal blue background with warm golden light streak, New York music photography example

Industry Advice and Professional Insights

How do you think photographers can differentiate themselves in such a competitive industry?

Be yourself. Stop trying to copy everyone else and create work that is unique and stands out. Network, be a valuable member of your community, and your community will value you, and your services. Be humble, and remember that it’s a privilege to get paid to photograph people. Once again, I run my business by the Golden Rule: Treat people the way you want to be treated. This is everything.

If someone is rebranding themselves professionally, what role does a headshot play in that journey?

A crucial role. The images you show the world tell them more about you than any blurb can. Your image must represent your brand in the correct light, especially if you are rebranding. Just as we pay close attention to our attire, jewelry, the car we drive, etc, the images you put out there should represent the real you, or the “you” you are becoming.

What’s one piece of advice you’d give someone nervous about investing in professional visuals?

If you do your homework and find the right photographer, you will absolutely love the experience and the photos.

Creative lifestyle portrait by Pete Coco Photography of Black male with voluminous natural afro hairstyle, wearing olive green blazer over ivory white v-neck shirt with burnt orange rust colored pants, standing on vintage Persian rug next to wooden ladder against teal green painted wall in natural light-filled studio with windows, New York environmental portrait photography example

Client Success Stories

Do you have any stories of when a professional headshot made a real difference for a client?

I’m blessed to say that I have many such stories. I routinely hear from my acting clients that they have booked roles, or gotten call backs in large part due to the images we created together. I have had clients tear up in my studio upon seeing the photos, because it is the first time they love their own face. I work with a lot of child actors as well, and parents have told me that the experience working with me has helped their child’s self esteem and confidence.

Professional portrait by Pete Coco Photography featuring Black female with voluminous curly afro hair, wearing white ribbed tank top, looking up with hands clasped, photographed against grey background with dramatic diagonal light beam creating dynamic shadow, New York portrait photography example

Pete’s Final Thoughts

Any final thoughts you’d like to share—whether it’s advice for potential clients, tips for emerging creatives, or something you wish more people knew?

People want to work with good people. They don’t want marketing schemes, gimmicks, and they don’t want to work with someone who only cares about money. Like it or not, people expect so much more from a small business than they do from a large faceless corporation and the human element can’t be underestimated. One of the best pieces of advice I was given when I started was, “Create the work you want to be paid for,” and this has been a key to my success. I also work tirelessly to become better at my craft — not just at the art of imagery, but also as an entrepreneur, and even as a person. Finally, mentorship is everything in 2025. I owe so much to my mentors, and now I have the privilege of mentoring others in my own coaching group. It’s amazing how fast we can grow if we can connect with the right mentor.


Connect with Pete Coco

Ready to work with a photographer who values authenticity and collaboration? You can find Pete Coco at:

Based in New York and specializing in headshots for business professionals, actors, artists, musicians, and creatives.


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